GOLD

L'UOMO FUORE SERIE
Metro Croce (ITA)

L'INEDUCABLE
Börjo Windfeldt (SWE)

ORPHEUS IN DER UNTERWELT
Hans Haldenwang (CHE)
 

DIPLOMAS

NATURA DI DEFENDERE
Gionio Rivolta (ITA)
for its informative nature

DORMO, DORMO PO, MI SVEGLIO ED HO SONNO
E. Domenica de Costa / Giordano (ITA)
for the topicality of the subjects covered and the spontaneity of the language

NEVER ENDING STEPS
Club der Differdange (LUX)
for the efficient simplicity with which the stages of life were visualised

LA TOILE D'ARRAIGNEE
Carlos de Vasconcelos (PRT)
for having shown that it is possible to live in spite of the clash between nature and technology

TRITSCH-TRATSCH-POLKA
Othmas Gutmann (CHE)
for graphic imagination and technique

JESENICE-STUTTGART ITD
Miro Mikuljan (YUG)
for the human warmth with which the author has approached a very topical problem, felt in many countries.


SARANGI
 WEIN (AUT)
for the acute sense of observation of which you are a witness

DER REGIONEADER
Tschokl (AUT)
for superior film technique

RETOURNE LA OU LE SOLEIL NE MEURT PAS
Kral/Bick/Rogowski (POL)
for sybolic portrayal of metphysical dualism
 
DE BOUCHE A OREILLE Engelbert Kral (POL)
for a powerful gag simply presented
 

DIPLOMAS

NEIN
Lutz Adams (DEU)
for the impact with which the author presents his message concisely

FRAU TRUDE
Gerhart Spieth  (DEU)
for the successful combination of illustrations in traditional and revolutionary styles

NUR EIN POET
Otto Horn (DEU)
for the excellent biographical evocation of a personality who had a far-reaching political significance

MUTANTY
Roger Peirsman (BEL)
for remarkable illustration of a science-fiction theme

LA DAME DE NULLE PART
Michel Babut du Mares & Leon de Ville (BEL)
for the subtle way in which the unusual emerges from everyday life

LE GARCON DU PAANAJAVI
Ole Tarvonen (FIN)
for the bucolic freshness and love of nature that emanate from this film

CHE 68
Arvo Laitinen (FIN)
 for the convincing power of a simple parable

LA DERNIERE CLASS
Chavance/ Cuer/ Durand (FRA)
for the effective way in which it ironically presents the current malaise in education

FOURMILIERE BY NIGHT
Jacques Marry (FRA)
for the persuasive use of the procedures of the cinematographic technique, in order to oppose the insane agitation of the human anthill to the eternal course of time

LA PLAINTE
Michel Body (FRA)
for having been able to evoke an aspect of the citizen-authority relationship through a stripped-down and spiritual design.

LE SOLEIL VERT
 Jerzy Ridan-Kurz (POL)
for sincere presentation of a human problem